“Forty years of theatre work condensed into one hour of immersive experience in the audio-visual media show Nachklang. Once a month, live performances in our rehearsal studio. Nachklang and the live performances turn the rehearsal studio in Düsseldorf-Pempelfort into Resonanzraum 40.”
Saturday, 10 October 2026 to Sunday, 27 June 2027 – Rehearsal Studio Düsseldorf-Pempelfort
Forty years after its founding, THEATER DER KLÄNGE opens its working space. The rehearsal studio in Düsseldorf-Pempelfort, where since 1991 every production of the company has found its first form, becomes the site of an ongoing workshop showing between October 2026 and June 2027. Not a museum. Not a retrospective in the usual sense. A space that makes its own past newly accessible as sound and image – walkable, audible, followable.
What There Is to See
The Audiovisual Immersive Show NACHKLANG (Tuesdays and Fridays)
A front screen, both side walls and the floor of the studio become projection surfaces through video mapping. A spatial loudspeaker arrangement opens a three-dimensional sound space. Historical recordings from forty years of stage work meet a new sound composition created in the same room. The one-hour cycle shows no chronological history of works. It condenses forty years into an experience that can stand on its own.
Tuesdays at 6:00 pm and Fridays at 7:30 pm, one performance of one hour each. Special dates for groups of 10 or more can be arranged. Please send enquiries to info@theater-der-klaenge.de. Admission a flat 10 € per show. Booking via rausgegangen.de.
The price is deliberate. Ten euros is less than a museum ticket. More like an art association or a Sunday guided tour – not a theatre price. The Resonanzraum is meant to be a place you can simply drop in on when you feel like an hour of culture. Every 10 euros helps us enormously with this project!
Live Performances in Resonanzraum 40 (once a month)
On nine weekends between October 2026 and June 2027 the Resonanzraum becomes a stage. Performers from our ensemble play six suites and three complete performances drawn from the ensemble’s historical productions. Three of our repertoire pieces – Der Silberprinz, Le Grand and Coastal Souls – are shown in full as part of Resonanzraum 40. All other pieces are suites, which means we play only selected scenes and sequences from the piece in question, in a small cast. So that you still get an impression of the whole staging, we also show a video compilation of about 15 minutes from the respective final production with every live performance.
Programme
2026 / 2027
23–25 Oct 2026
The Mechanical Ballet (suite version)
06–08 Nov 2026
The Silver Prince (complete performance)
01–03 Jan 2027
Concert with ESTAMPIE: LUDUS DANIELIS & Gregorius (suite version)
14–17 Jan 2027
TRIAS – The Triadic Ballet (suite version)
12–14 Feb 2027
SUITE intermediale (suite version)
19–21 Mar 2027
The Lacquer Ballet (suite version)
16–18 Apr 2027
Heinrich Heine’s Le Grand (complete performance)
28–30 May 2027
West-Land Dances (suite version)
25–27 Jun 2027
Coastal Souls (complete performance)
What Sustains the Project
For the Resonanzraum, exclusively costumes and props already held by the company are used. Each new performance adds a layer to the sound material, which from October 2027 lives on in an expanded version of the installation. This is a form of sustainability that arises from the work itself – not from a marketing decision.
Programme Overview 2026 / 2027
| Period | Production | Format & Focus |
|---|---|---|
| 23–25 Oct 2026 | The Mechanical Ballet | Solos and duets. The origins of intermedial work (Bauhaus reference). First TdK production of 1987. |
| 06–08 Nov 2026 | The Silver Prince | Full performance. 6 performers plus audio-vision. Nine views of Walter Gropius and the Bauhaus. |
| 01–03 Jan 2027 | Concert with ESTAMPIE: LUDUS DANIELIS & Gregorius | Concert-staged performance with the music ensemble ESTAMPIE and acting solos. Medieval mystery plays for the New Year programme. |
| 14–17 Jan 2027 | TRIAS – The Triadic Ballet | Dance solos and duets. Live music by a trio: percussion, cello, piano. The triad as structural principle. |
| 12–14 Feb 2027 | SUITE intermediale | Solos, live composer, interactive video design. Sensor control and real-time transformation. One dancer — and the audience as performers! |
| 19–21 Mar 2027 | The Lacquer Ballet | Solos, duets and trios, live composer, live video design. Materiality and surface on a digitally paintable canvas. |
| 16–18 Apr 2027 | Heinrich Heine’s Le Grand | Full performance. 2 actors, 2 musicians. Text, music and visual projections. |
| 28–30 May 2027 | West-Land Dances | Duets, bal modern, live music. Rhenish and Westphalian folk dances and music as the basis for a contemporary choreography. Afterwards, everyone dances together in the form of a “bal modern”. |
| 25–27 Jun 2027 | Coastal Souls | Full performance. 4 dancers, 1 musician. The most recent creation in the context of the company’s history. |
Digital Media Expertise of Theater der Klänge
Theater der Klänge possesses an exceptional depth of expertise — grown over nearly four decades — in integrating digital media technologies into the performative space. This continuous pioneering work makes the company one of Germany’s leading independent music and dance theatre groups in the field of intermedial, interactive stage art.
Historical Development
From its very first production in 1987, the Mechanical Bauhaus Stage, Theater der Klänge placed new technologies at the centre: an electronic score controlled the lighting of two slide projectors via timecode, supplemented by video back-projection for the first realisation of László Moholy-Nagy’s Mechanical Eccentric. In 1993, the production Figure and Sound in Space extended these approaches through a gestural control system for a solo dancer and light barriers for sound triggering.
Research-Based Development
From 2001 onwards, research work intensified through two landmark projects at Dortmund University of Applied Sciences: Performer Computer Interaction (PCI) led to the productions Megalopolis and Modulator, in which music parameters and video transformations were controlled via Max/MSP and Jitter through live camera images of the dancers. The follow-up project Interactive Integrative Performance (IIP) resulted in the dance piece HÖReographien. This research line found its completion in the large-scale production SUITE intermediale (2010–11), realised once more on an even larger scale for the planetarium in Bochum with Mensch und Kunstfigur im Kugeltheater (2021).
In 2023, Theater der Klänge realised a Virtual Total Theatre, accessible online and based on the now three-dimensionally realised, never-built architectural plans of Walter Gropius.
Expertise for „Resonanzraum 40“
RESONANZRAUM 40 is a research and development project run in cooperation between Theater der Klänge and Fachhochschule Dortmund (Dortmund University of Applied Sciences and Arts). The project lead on the FH Dortmund side is Prof. Jörg U. Lensing (Department of Design, FB2). The technical development partner is storyLab kiU — an affiliated institute of Fachhochschule Dortmund at the Dortmunder U. Its director Harald Opel brings his expertise in façade and spatial mapping to bear on the immersive interior design. The resulting installation remains a documented research outcome within the remit of FH Dortmund; Theater der Klänge, as practice partner, runs the performances from October 2026 to June 2027.
The project builds on a solid, proven technological and artistic foundation that deploys video mapping, immersive sound-space design and interactive elements not as isolated effects, but as integral components of a coherent artistic vision — one that transforms 40 years of experience into a forward-looking space of reflection.
RESONANZRAUM 40
Saturday, 10 October 2026 to Sunday, 27 June 2027
Rehearsal Studio of THEATER DER KLÄNGE, Düsseldorf-Pempelfort
Address and Contact
THEATER DER KLÄNGE, Winkelsfelder Straße 21, 40477 Düsseldorf. Questions and reservations to info@theater-der-klaenge.de or by phone at +49 (0)211 462746. Tickets via rausgegangen.de.
In cooperation with:
Funded by:
